Retrospective: The Best of Buffalo Springfield
Elektra / Wea - Elektra / Wea
Buffalo Springfield
Release date: 1990-10-25
Audio CD
Country-Rock, Folk-Rock, Pop, Pop/Rock Music, Rock, Rock & Roll, Rock/Pop, United States of America, V/a Compilations
1. For What It's Worth - Buffalo Springfield, Stills, Stephen
2. Mr. Soul - Buffalo Springfield, Young, Neil
3. Sit Down, I Think I Love You - Buffalo Springfield, Stills, Stephen
4. Kind Woman - Buffalo Springfield, Furay, Richie
5. Bluebird - Buffalo Springfield, Stills, Stephen
6. On the Way Home - Buffalo Springfield, Young, Neil
7. Nowadays Clancy Can't Even Sing - Buffalo Springfield, Young, Neil
8. Broken Arrow - Buffalo Springfield, Young, Neil
9. Rock and Roll Woman - Buffalo Springfield, Stills, Stephen
10. I Am a Child - Buffalo Springfield, Young, Neil
11. Go and Say Goodbye - Buffalo Springfield, Stills, Stephen
12. Expecting to Fly - Buffalo Springfield, Young, Neil
average reviews
0 vote
0 vote
React and review
Retrospective: The Best of Buffalo Springfield
Date undefinedIt's good old american rock and roll!!!
it doesn't get any better than neil young and david crosby now does it
it is for some of us ...our youth revisited- how cool is this- very cool!!
Retrospective: The Best of Buffalo Springfield
Date undefinedBeing 60 I sometimes forget what real,artistic music was. I have come through the years listening to the music scene change and my overview is that creativity,voice(of the people)and talent is or has spiraled downward. The Buffalo Springfield lets us hear what real musical talent accomplishes in song writting and musicianship. They were,along with many others of their generation, the beginning of the greatest musical phase of the century. All we get now are corporate teenage warblers and one beat rap "gangsta's". The "Great Society"?
Retrospective: The Best of Buffalo Springfield
Date undefinedBuffalo Springfield was neither the first vehicle for nor the first group to record and release works by founding members Richie Furay, Stephen Stills, and Neil Young. Rather, it was a sounding board and a starting point for a new direction in rock and the beginning of stardom for its aforementioned members (and even later, Jim Messina of Loggins and Messina fame). Stephen Stills would emerge as the group's main songwriter but, as with Crosby, Stills, Nash, and Young, he would soon be surpassed for quality of work by peer and colleague Neil Young. The dynamics between the two are simultaneously famous and infamous, yet the mutual admiration and inspiration is evident on this and all future Stills-Young projects.
Emerging at a time when The Beatles had led the British rock brigade into America, and the US had replied with the Dylan-inspired folk rock of The Byrds and The Mamas and The Papas, The Buffalo Springfield would introduce more of a country flavor to the spectrum (a la The Band, latter-day Byrds, Creedence Clearwater Revival, and The Flying Burrito Brothers). Like The Band, Springfield would include both Americans and Canadians, just as CSNY would add an Englishman and former Hollie to the mix. Not necessarily making this a melting pot, it does bring to the fore different cultural elements and an innovative blend of ideas.
This release serves as an appropriate crash course to the form, both in its advantages and disadvantages, and as an excellent introduction to the musical careers of Stephen Stills and Neil Young (Furay's light not shining quite as brightly even though he would achieve some standard of success with Poco). As the saying goes, "the best is yet to come!"
