
Knopf Books for Young Readers - Knopf Books for Young Readers
Release date: 2008-09-20
Hardcover
Author: Christopher Paolini
Juvenile Fiction, Children's Books - Young Adult Fiction, Children: Young Adult (Gr. 7-9), Action & Adventure - General, Juvenile Fiction / Science Fiction, Fantasy, Magic, Science Fiction, Fantasy, & Magic, Animals - Mythical, Dragons, Fantasy, Fiction, Youth's writings




What a waste of a weekend. I was so upset at the end of this book when NOTHING HAPPENED. All of a sudden I'm as the end of the book and I realize that the only knowledge gained by this book was the key to Galbotrix's power. This book drug on and on with battle after worthless, meaningless battle. There were some interesting parts to the battle scenes, but as a whole the book got no where in the series. SPOILER ALERT: The other egg is still there, Arya and Eragon have made no progress in their relationship, and there were no great defeats.
And when did this Trilogy become a saga? I was under the impression that this was going to be a Trilogy and I feel as though Paolini has wasted our time with a book of filler in order to write and sell a fourth book. I would highly recommend skipping this book and waiting for the fourth to come out. You won't miss out on much.
To tell you the truth, I'm no youngster. Actually, I am 70 and a great fan of fantasy. Nothing has ever matched LORD OF THE RINGS for me but there are many superb fantasies around. Presently I much love Sharon Shinn's Thirteenth House series. I find Paolini's series most interesting and am amazed at how so young a writer can do so very well. I think, like others, that there is too much violence in this last book but over all, I am kept interested and have found it quite enjoyable. This young man has a great future ahead of him.
Thanks, Christopher.
Despite their flaws, I enjoyed the other books in the Inheritance series. Paolini is creative while clearly paying homage to many other fantasy stories. However, this book is painfully slow and poorly written. Pages are spent, Moby-Dick style, exploring details that have no bearing on the plot. It's as if the writer did a lot of background research (on swords, for instance) and then couldn't manage to let any of it go. Similarly, he seems to want to explore the post-traumatic stress soldiers experience, but is unable to create scenes that express the characters' personal experiences realistically. Instead he dwells on the gruesome violence of battles while the after-effects on characters is all very similar and bland. The only thing that kept me reading Brisingr was the fact I'd already spent time on the other books. This one needed more editing.