Bach: Goldberg Variations
Telarc - Telarc
Release date: 2007-08-28
Audio CD
Baroque Variations for Keyboard, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Keyboard
1. Aria
2. Variation 1
3. Variation 2
4. Variation 3 - Canone all'Unisono
5. Variation 4
6. Variation 5
7. Variation 6 - Canone alla Seconda
8. Variation 7
9. Variation 8
10. Variation 9 - Canone alla Terza
11. Variation 10 - Fughetta
12. Variation 11
13. Variation 12 - Canone alla Quarta
14. Variation 13
15. Variation 14
16. Variation 15
17. Variation 16 - Canone alla Quinta
18. Variation 17
19. Variation 18 - Canone alla Sesta
20. Variation 19
21. Variation 20
22. Variation 21 - Canone alla Settima
23. Variation 22
24. Variation 23
25. Variation 24 - Canone all'Ottava
26. Variation 25
27. Variation 26
28. Variation 27 - Canone alla Nona
29. Variation 28
30. Variation 29
31. Variation 30 - Quodilbet
32. Aria
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Bach: Goldberg Variations
Date undefinedi ordered landowska, u sent me the pretty simone. i returned it to u. u sent it back to me. i sent it back to u. u sent it back to me. i gave up.landowska is the point, not the pretty simone tinkling the ivories on a PIANO.it is all about the harpsichord. wake up.
Bach: Goldberg Variations
Date undefinedHer performance is pleasant as the body is caressed. Not only pleasant, but the 14th and the 20th variation are aggressive. She has technique because she can neatly play the technical 20th, 26th, 29th and 30th variation. The 13th variation is the longest (5:15). The 25th variation is 4:20. The performance time of all is 78:20. However, because all the repetitions are done except the 25th variation, 78 minutes is not necessarily too long. There are a lot of tune with a quick tempos, too. After all the opening aria is the longest (5:39). Steinway Model D made in Hamburg in 1903.
Bach: Goldberg Variations
Date undefinedBach: Goldberg Variations. If you've ever questioned the value of owning different interpretations of the same musical work, just listen to this interpretations and compare it to that of Gould, or Landowsa, or anyone else. The artist, of course, makes a great difference. And this artist is one of the greats. Among the great interpretations of this work I find that hers resonates with me personally. This is intimate and sensitive. A Bach keyboard piece sounding romantic? That's how this interpretation strikes me. Whatever the details, it has affected the several people I have shared it with, and all agree that it is exceptional. You will think so too.
