On Writing
Pocket - Pocket
Release date: 2002-07-01
Mass Market Paperback
Author: Stephen King
Biography & Autobiography, Biography / Autobiography, Biography/Autobiography, Biography & Autobiography / Literary, Composition & Creative Writing - General, Language Arts & Disciplines / Composition & Creative Writing, Language Arts & Disciplines / General, Literary, Authorship, 20th century, Authors, American, Biography, Horror tales
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On Writing
Date undefinedStephen King's book Carrie and The Shining were the first grown up books I was allowed to read. I was twelve. So, Mr. King has a special place in my heart.
I am a fledgling writer and I knew I had to read anything written by Mr. King concerning the craft of writing. However, I came away with only one piece of advice from him and that is "Write alot and read alot." I kind of figured this out for myself.
If you want to learn a little personal history about Stephen King, read his book. But if you want information on writing, look elsewhere.
On Writing
Date undefinedStephen King's On Writing is part memoir and part advice and observations on the craft and business of writing. I confess to not having read any of King's fiction, although my mother was a great fan, so I know what most of his novels were about, second hand. There's no question that Stephen King is one of the most successful popular writers of the 20th century, so an opportunity to read his thoughts on writing is not to be missed.
This book is not a textbook or workbook on the craft of writing, but instead a very personal reflection from the perspective of its author. This is both its strength and weakness.
If you learn by example, the memoir section has a lot to say about how to keep your readers engaged. King shares brief scenes from his life, vignettes of key moments in his development as a writer and a person. These are utterly engaging, and wonderful examples of how much can be said by a few carefully chosen words and images.
I was less pleased with the section on writing, however. The advice King has to give is solid, and articulated very well. And there are a handful of truly memorable observations in this book. But mostly, his advice is rather commonplace, sometimes feeling like an uneven and uninspired recycling of Strunk and White. We learn to avoid adverbs and the passive voice. We don't need Stephen King to tell us that. And when the topic turns to something where we might hope for wisdom from a master, such as plot construction, King doesn't have much to say. (He doesn't think anyone should think about plot. Just put the characters in a situation and write down what happens. That may work if you are born storyteller like King, but most writers do have to think about plot construction, at least once in awhile.)
King acknowledges this deficiency himself, saying at the end of the book that he was disappointed that most of what he had to say was obvious, and that the aspects of writing that weren't obvious were things he could not articulate well.
This is a must-read if you are a Stephen King fan, or just curious about how a hugely successful writer works and views his work. If you are hoping for a book that will teach you how to write as successfully as Stephen King, or even how to write consistently well, this is not the best resource; it is too idiosyncratic and spotty in its treatment of important aspects of the writer's craft and art.
On Writing
Date undefinedStephen King may be thought of as a hack, but one doesn't get that idea after reading about what he thinks of his profession. The book is chock full of good, simple, insights that will help the writer convey meaning in every word. The following are the best points he makes.
NEVER WASTE WORDS: Every word should have a meaning that conveys something to the plot. There is very little patience for flowery language or tangents that have little to do with the main flow.
SHOW, DON'T TELL: What every lit major already knows, but very few manage to ever put into practice well.
AVOID ADVERBS: I somewhat disagreed with this one, as I believe they have more value than he thinks. However, I agree the word wistfully should never be used.
THINK IN TERMS OF SITUATIONS: Don't think of grandiose meanings to your book and write it. Think of a situation that is interesting and let it expand. The rest will naturally follow.
LET THE CHARACTERS REACT TO THE ENVIRONMENT, NOT HOW YOU WANT THEM TO REACT: Don't make your characters mouthpieces, make them actual human beings.
If I had a recommendation for Mr. King that he neglected to mention, it would probably be.
THERE IS ROOM FOR SUBLETY: Anyone who has read a Stephen King book knows he's not too great at this one!
There's plenty more insights in this book, and it's short enough where it's well worth the time of any writer or aspiring writer to read.
